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- | ====== Opera ====== | ||
- | **Opera** is a staged musical work((However, | ||
- | ===== Technetoistic Morphology ===== | ||
- | From a technetoistic point of view, opera, like every art form, is a method that can be used to implement a universe aspect. This morphological considerations will now focus on the aspects of a universe that are aesthetically and technically suitable for the form of opera. In this context, these three characteristics will be considered: | ||
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- | * By utilizing the stage, the number of scenes is limited, which means that a focus on action cannot be realized as opposed to dialogue. (This is, however, relativized by the newer film opera or by the staging of conventional stage operas that is geared to the possibilities of film). | ||
- | * The permanent presence of music - even within the dialogue, since musically presented - causes a strong focus on emotion. | ||
- | * It takes a relatively long time (compared to a novel, for example) to understand an opera. This is also the reason why introductions are often held before the actual performance, | ||
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- | From these characteristics it can be concluded that opera in technetoism mainly has the function of expressing important, emotional aspects from the universal aspects, that can justify the longer time of introduction. | ||
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- | ===== Notable works ===== | ||
- | //Published technetoistic operas are not known.// | ||
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- | Richard\ Wagner' | ||
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- | {{tag>" |